Flying Down to Rio
RKO 1933
Bo was 16 when this film (or “picture” as movies were called
in the 1930s) was made. And my Dad had
hair like Gene Raymond, who was a star in this film. This film had talking, and singing, tap dance
sounds and even daring scenes with some special effects. Cutting edge stuff in 1933.
If you are new to watching Astaire & Rogers (A&R)
films, please do not actually begin the viewing with this one because it’s
silly. The next seven are much better movies. But if you are a purist and want to watch the
evolution of the dance team, you have to start here.
This movie was the first pairing of Fred Astaire, a
33-year-old Broadway star who had recently come to Hollywood after his
sister/partner had married an Englishman; and Ginger Rogers, a 22-year-old singing
starlet who had started on Broadway and been pals with Fred, but had left New York
City for Hollywood.
Fred was an extremely accomplished dancer and a good singer
who was not classically handsome but was excessively charming. Ginger was an adorable, beautiful, perfect-physique
petite redhead (eventually a blonde) who could sing with gusto and dance the
same way. She was not formally trained
as a dancer but was loaded with natural talent and good experience.
This movie was not their movie. It was a vehicle for Delores Del Rio
(gorgeous) and Gene Raymond (handsome).
The script is dumb, but involves airplane travel, which was still new
back then. Only the wealthy could fly. Fred and Ginger are supporting players who
get to show off their singing and dancing abilities throughout the movie.
They also show comedy chops.
They steal the show. The studio
noticed and that’s why they got to make 8 more movies together at RKO, and one
at MGM. They had a magical chemistry
on-screen, and so much talent.
This movie actually had a reputation for the skankiness of
the costumes. They are pretty risqué at
times. Obviously, “old fashioned”
doesn’t mean prudish here. Or rather,
there is nothing new in this world except technology. I would prefer it if they hadn’t used so many
see-through and loose floppy costumes. I
think they are not elegant, or even cute.
Costumes get much better in the future A&R movies.
Their best and most famous scene from this film is called
“The Carioca” which is supposed to be a Brazilian folk song and dance about
people in Rio de Janeiro. However, Vincent
Youmans, Edward Eliscu and Gus Kahn wrote it.
They are NOT Brazilian.
Here’s the set-up: Fred
(FA) and Honey (GR), friends and co-worker musicians enjoying their evening at
the nightclub, observe this hot local dance and decide to give it a try. They dance brilliantly, of course, with their
foreheads together. Their dance not only
entertains the crowd, but also helps these two realize that they like each
other. It’s sort of a “first date”
dance.
You have to watch this scene twice. First, watch and enjoy the dance. Ignore the awkward cutaway moments to other
people at tables at the club. Enjoy the
stage that looks like a flower of grand pianos.
Second time, look at their faces.
In 1933 Ginger is a newbie to dancing at the level of Fred, and she
looks like she is working to keep up.
Her posture isn’t perfect, but her smile is. Every time. This is beyond the current dance trend to
choreograph the face. This is
acting. One of the reasons their work is
so timeless is their facial acting.
My favorite moment: In
order to get those foreheads together after a turn, Fred (FA) gently guides Honey
(GR) by a hand on the back of her head.
He uses his upstage hand, so it’s barely noticeable.
After their dance, some sort of strange flash-mob mentality
takes over the film and there are dancers everywhere. It gets so weird – but it’s been goofy all
along. This is a silly movie, but the
A&R scenes are worth the watch.
There are other great Fred dance moments in this film. He’s dancing beyond belief at times. Ginger puts on a nearly see-through
dress to sing with the band, just barely covering enough. And then
there are the scantily clad women dancing and singing on the wings of the
airplanes. Crazy.
And please don’t give up – this is definitely one of the
worst, stupidest A&R films, and even so it’s still sort of fun. If you just can’t cope, then skip through and
only watch the Fred and Ginger scenes. Great,
right? Trust me, in future films they
get even better!
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